Detective Mark McPherson investigates the apparent murder of advertising executive Laura Hunt. Told in flashback by Newspaper columnist Waldo Lydecker, Laura follows the detective as he falls in love with her through diaries and a portrait that hangs on her wall.
Gene Tierney stars as Laura, the titular character whose image floats through the film as if she were a mythical creature. Dana Andrews stars opposite her as the detective, Clifton Webb is Waldo Lydecker, Vincent Price is Shelby Carpenter, a role that would surprise today’s audiences, and Dorothy Adams is Bessie Clary.
Laura was adapted to screen from the 1943 novel of the same name by Vera Caspary. Directed and Produced by Otto Preminger, Laura is a classic Film Noir making lists of the top Noir’s for years.
While today’s audience may not find themselves as satisfied with the reveal, Laura still stands the test of time. A successful and talented woman is at the helm. Put on a pedestal by all the men, today’s feminist audience may see these male characters in a less than romantic light.
Film Noir has allowed women to take on roles usually reserved for men. After the Hayes Code was instated women typically portrayed the love interest, the wife, or the daughter. Occasionally they got to play roles far more interesting than that and Laura was a role worth having. Gene Tierney is perfect, as it is believable that any man could fall for her on her portrait alone. She has an essence that pours off the screen; her image excites us as she glides through the memories and imaginations of the other characters. While this role puts Tierney in a place of objectification she is also a strong and smart woman who fights against the ideas that men have of her.
Laura could have been created for the young starlet who by this time was best known for her film Heaven Can Wait alongside Don Ameche. While other good roles came before Laura better ones came after. Tierney would go on to star in Leave Her to Heaven alongside Cornel Wilde, Jeanne Crain and once again, Vincent Price. Vincent Price would appear in a few more roles outside of the genre he is most associated with but would eventually find his home in horror.